From late February through March, CANVAS ‘공존’ transforms Alternative Space LOOP into a showcase where AI‑crafted landscapes meet kinetic robotics. The solo show by Yunjoo Kwak asks how machines can “see” ecosystems, delivering hyperreal foliage and self‑building canvases that confront you with both beauty and ecological urgency. You’ll walk through a gallery that feels like a living lab.
AI‑Generated Canvases Explore Digital Ecology
Kwak trained a custom neural network on a collection of Korean landscape photos, botanical sketches, and climate visualizations. The resulting images swing between photoreal forest scenes and glitch‑laden abstractions, mirroring how data streams now mediate our view of nature. Each canvas acts as a visual probe, asking you to consider the hidden patterns that algorithms reveal.
Self‑Assembling Kinetic Installation
A modest kinetic piece occupies the gallery’s center, where robotic arms follow AI‑derived parameters to construct a canvas from scratch. The machine starts with a blank surface, then layers pigment, adds polymeric fibers, and settles into a form that echoes the generated imagery. This self‑building process spotlights the growing autonomy of machines and forces a rethink of authorship.
Implications for Art and Technology
By bringing generative art into a public space, the exhibition pushes curators to grapple with provenance, reproducibility, and intellectual‑property questions. Technologists also gain a concrete case study on ethical AI deployment, as the works expose “black‑box” decision‑making to everyday viewers. The show demonstrates that AI can act as a collaborative partner rather than a mere tool.
What You’ll Experience as a Visitor
When you step inside, expect walls awash with AI‑crafted forests, a kinetic canvas that materializes code, and a curatorial narrative that ties digital footprints to ecological concerns. The atmosphere feels like a guided meditation on coexistence, offering both visual intrigue and a prompt to reflect on your own digital impact.
Curatorial Perspective
Curator Kim Soo‑kyung notes that the exhibition “shows how AI can surface ecological concerns in a language that resonates with both art audiences and tech professionals.” This endorsement underscores the show’s role as a bridge between creative and scientific communities.
